DILRABO MINGBOYEVA SHE’RIYATIDA BADIIY OBRAZ RATSIONAL- EMOTSIONAL MOHIYATI

Abstract

The article scrutinizes the mediating function of the artistic image in apprehending reality, the correlation between cognition and emotion in lyric poetry, and the role of affective engagement in poetic interpretation through the prism of Dilrabo Mingboyeva’s verse. It examines methods of delivering information in a concise yet compelling manner, the need to integrate the psychology of imagery with modes of expression, and the harmony of imagination and impression within figurative thinking. The author’s philosophical conception, in essence, emerges from the synthesis of rational knowledge and sensory perception; passion, affect, tumult, and tone ascend to the level of determinants of imagery, while the symmetry of logic and evaluative criteria facilitates rapid analytical transitions throughout the interpretive process. asl holicha emas, ijodkor istaganidek idealda ko‘rishga imkon yaratadi. Majoz va ramz bir payt o‘zida ikki xil vazifa - tasvir vositasi hamda tafakkur tipini umumlashtiradi, simpatiya va antipatiya muallif munosabati o‘zgaruviga olib keladi. Aynan munosabatdorlik xilma-xilligi badiiy asar g‘oyaviy-badiiy konsepsiyasi, o‘quvchi talab hamda ehtiyojlari tafovutidan oziq oladi. Foydalanilgan adabiyotlar 1. Mirziyoyev Sh.M. Yangi O‘zbekiston strategiyasi. - Toshkent: O‘zbekiston, 2023. 2. Adabiyot nazariyasi. Ikki jildlik, 1-jild. -Toshkent: Fan, 1978. 3. Jahon adiblari adabiyot haqida. - Toshkent: Ma’naviyat, 2010. 4. Mingboyeva D. Sukut. - Toshkent: Mashhur-press, 2020. 5. Quronov D. Adabiyot nazariyasi asoslari. - Toshkent: Akademnashr, 2018.