Abstract
Mazkur maqolada O‘zbek maqom an’anasining shakllanishi va ijro jarayonida akustik fazo (soundscape)ning tutgan o‘rni hamda uning performativ semantikasi ilk bor ilmiy tahlil qilinadi. An’anaviy ijro makonlari - madrasah, hujra, sahnalar, ochiq maydonlar -ning akustik xususiyatlari maqomning ritmik, tembr, ohang va ijro uslubiga ko‘rsatgan ta’siri etnoakustik, performativ antropologiya va madaniy semiosfera yondashuvlari asosida o‘rganiladi. Tadqiqot maqomning nafaqat musiqa tizimi sifatida, balki akustik makonda jonlanadigan performativ hodisa sifatidagi mohiyatini ochib beradi.References
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