Abstract
The article analyzes the artistic mechanisms of the synthesis of theme and genre in the creative work of the Uzbek theater director Karim Yo‘ldoshev, who occupies a significant place in the development of national theatrical art. The study examines the artistic principles observed in the director’s repertoire, particularly in the process of adapting epic narratives, musical dramas, romantic-tragic plots, and examples of world classical dramaturgy for the stage. Special attention is paid to the director’s approach to stage interpretation, compositional structure, and the integration of diverse genre forms within a unified conceptual framework.References
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