Abstract
Ushbu maqolada Nobel mukofoti laureati Ernest Xemingueyning badiiy nasrida lingvopoetik xususiyatlar ko‘p qirrali metodologik yondashuv asosida tahlil qilinadi. Tadqiqot “aysberg” nazariyasining mohiyatini, minimal leksik vositalar orqali maksimal ma'no hosil qilish texnikasini, dialogik nutqning funksional yukini va matn osti ma’nosining strukturaviy asoslarini keng ko‘lamda o‘rganadi. Dialog, tasviriy detal, takror va ellipsis kabi lingvopoetik usullar Xeminguey ijodining o‘ziga xos belgisi sifatida alohida ko‘rib chiqiladi. Maqola “The Sun Also Rises” (1926), “A Farewell to Arms” (1929), “For Whom the Bell Tolls” (1940), “The Old Man and the Sea” (1952) va qator qissalar korpusiga asoslanadi. Tadqiqot natijalari zamonaviy narratologiya, stilistika va lingvopoetika metodlarining integratsiyasi orqali Xeminguey prozasining yangi qirralarini ochib beradi.References
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