Abstract
Maqola “I’ll Take My Stand: The South and the Agrarian Tradition” (1930) to‘plamidagi agrar afsona poetikasini tahlil qiladi. Mualliflar ideallashtirilgan agrar Janubni industrial Shimolga qarama-qarshi qo‘yib, “haqiqiy Amerika" obrazini yaratishda qo‘llagan badiiy va ritorik vositalar o‘rganiladi. Mifokritika, ritorik tahlil va tarixiy-adabiy yondashuvga asoslangan tadqiqotda agrar afsona “yer – mashina” binar oppozitsiyasiga qurilgani, yer sakrallashib, industrializatsiya demoniklashtirilishi aniqlandi. “Haqiqiy Amerika” obrazi yomen-fermerning jeffersoncha ideali va pastoral an’anaga tayanadi. Bibliyaviy ritorika va elegik modus manifest poetikasining asosini tashkil etadi. Yeoman farmer va gentleman planter modellari o‘rtasidagi ziddiyat janubiy jamiyatning ijtimoiy qarama-qarshiliklarini aks ettiradi. Agrar afsona modernlikning madaniy tanqidi sifatida namoyon bo‘lib, amaliy dasturi utopikligicha qoladi. Ichki ziddiyatlarga qaramay, to‘plam janub adabiyotiga sezilarli ta'sir ko‘rsatib, industrial kapitalizmning konservativ tanqidiga asos solgan.References
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