Abstract
Ushbu maqolada O‘rta asr musiqiy cholg‘ulari - xususan, nay (fleyta) va monoxord asosida tovush qatorini belgilash mexanizmlari tahlil qilinadi. Risolada keltirilgan nay teshiklari, barmoq holatlari, nafas kuchi va ohang balandligi o‘rtasidagi bog‘liqlik, shuningdek, torli asboblardagi ligaturalar (bosish nuqtalari) tizimi ilmiy-nazariy jihatdan ko‘rib chiqiladi.References
1. Treatise by an unknown author, ff 168v-219v
2. D’Erlanger. I. 1930: D’Erlanger, Baron Rodolphe. La Musique arabe. T.I. Al- Farabi, Abu n-Nasr Muhammad ibn Muhammad ibn Tarhan ibn Uzlag. Grand Traite de la musique. Kitabu 1-musiqi al-kabir. Livres I et II. Paris, 1930.
3. Farmer H. G. “A History of Arabian Music to the 13 th century”. London. 1929; Farmer H. G. “The Sources of Arabian Music. An Annotated Bibliography of Arabic Manuscripts which deal with the Theory, Practice and History of Arabian Music from the Eighth to the Seventeenth Century”. Leiden, 1965.
4. Manik.L Das Arabische Ton system im Mittelalter. Leiden, 1969.

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