Abstract
Ushbu maqolada generativ spektakl zamonaviy raqamli madaniyat va sun’iy intellekt texnologiyalari taraqqiyoti sharoitida shakllanayotgan yangi teatr paradigmasi sifatida tahlil qilinadi. Muallif tomonidan generativlik tushunchasining nazariy asoslari, postdramatik estetika bilan о’zaro bog‘liqligi, algoritmik dramaturgiyaning metodologik xususiyatlari hamda interaktiv sahna muhitining strukturasi ilmiy tahlil qilingan. Tadqiqotda inson-mashina ko-kreatsiyasi modeli teatr san’atining an’anaviy mualliflik konsepsiyasini transformatsiya qilayotgani asoslab berilgan.
References
1. Galanter, P. (2003). What is Generative Art? Complexity Theory as a Context for Art Theory.
2. Lehmann, H.-T. (2006). Postdramatic Theatre. Routledge.
3. Manovich, L. (2001). The Language of New Media. MIT Press.
4. OpenAI (2023). GPT Models and Creative Writing Research Overview.
5. Royal Shakespeare Company (2022). Digital Performance and Interactive Stage Report.
6. MIT Media Lab (2021). Interactive Media and Performance Research Papers.
7. Eco, U. (1989). The Open Work. Harvard University Press.
This work is licensed under a Creative Commons Attribution 4.0 International License.