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Abstract
Ushbu maqolada spektakl dramaturgik tuzilmasining asosiy unsurlari - voqea rivoji va yetakchi xatti-harakat tushunchalari tahlil qilinadi. Asarda voqea dramatik konfliktning harakatga aylanishi, aktyor ijrosidagi ichki va tashqi dinamika bilan bog‘liq jihatlar o‘rganiladi. Yetakchi xatti-harakat obraz yaratish jarayonida aktyorning asosiy maqsadga yo‘naltirilgan harakat tizimi sifatida talqin etiladi. Shuningdek, maqolada sahna asarining badiiy yaxlitligi, rejissorlik yechimi va aktyorlik izlanishlari orqali voqea va xatti-harakatning o‘zaro bog‘liqligi tahliliy asosda yoritilgan.
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